Saturday, November 22, 2025

La Carretera: Inside One of Julio's Most Emotional Albums

Julio Iglesias has released many albums filled with romance and nostalgia, but few capture the sense of longing and reflection quite like La Carretera. Released in 1995, it remains one of the most beloved records of his later career.  The album feels like a journey, a collection of memories, and a quiet confession all at once.  To understand its impact, it helps to look at how it was created and the emotions that shaped it.

A Moment of Reflection in Julio’s Career

By the mid-1990s, Julio was an artist at a point of immense maturity.  He had conquered stages across the world, moved effortlessly between languages, and built an international legacy.  Rather than chasing trends, he focused on music that felt personal and timeless. La Carretera arrived during this reflective period.

The album is filled with themes of distance, longing, and the roads we take in life.  It carries the warmth of lived experience and the introspection of a man who understood both the beauty and the complexity of memory.

The Creative Process

The making of La Carretera brought together a team of talented musicians, arrangers, and songwriters who had worked closely with Julio throughout the decade.  They crafted a sound that was intimate yet expansive, filled with delicate guitars, gentle percussion, and elegant strings.

Julio recorded the album between Spain, Miami, and Los Angeles, choosing studios that offered privacy and calm.  He was known for being meticulous in the studio, often re-recording a single line until the emotion felt right. The goal was not perfection.  The goal was truth.  Every phrase had to sound like it came from a real place.

The title track, La Carretera, became the heart of the album.  It carried the emotional weight of the entire project, expressing the longing one feels when looking back on a past love and imagining what might have been if life had taken a different road.

The Sound of a Mature Artist

What sets this album apart is its emotional sophistication.  Julio’s voice in the mid-90s had a rich warmth that cannot be found in his earlier recordings.  The years gave him depth. His phrasing became slower, more thoughtful, more intimate.

Songs like Baila Morena, La Carretera, and Vuela Alto show an artist who understood that emotion does not need power.  It needs honesty.

The instrumentation helped shape this atmosphere.  Acoustic guitars paired with soft keyboards created a sense of closeness.  The production avoided flashy sound.  Everything was centered on Julio’s voice and the story he was telling.

Reception and Legacy

When La Carretera was released, fans immediately embraced it.  The title track became a signature song of the decade.  Critics praised the warmth and maturity of the production.  It was a commercial success across Europe and Latin America and remains one of his most streamed albums today.

For many fans, it is the album they return to late at night, when they want something sincere and comforting.  It has the spirit of an old photograph you keep in a drawer.  Familiar. Emotional.  Touching.



Why La Carretera Still Matters

Nearly thirty years later, the album has lost none of its power.  It represents an artist who was no longer chasing anything.  Julio had already climbed every mountain.  La Carretera shows what happens when an artist sings purely from the heart.

If you listen today, you will hear a man who understood love, loss, hope, and memory in ways only time can teach.  That is why the album endures.  It is not just a collection of songs.  It is a journey.

A road worth traveling again and again.

Monday, November 17, 2025

Julio Igleisas and Diana Ross: When Romance Met Soul

Some collaborations feel surprising. Others feel destined. The musical pairing of Julio Iglesias and Diana Ross belongs to the second kind. When their voices came together on All of You in 1984, the result was more than a hit single. It was the perfect union of two artists who shared the same understanding of love and elegance.

Two Icons, One Song

By the mid-1980s, Julio was already one of the best-selling artists in the world. His romantic ballads had conquered Europe and Latin America, and his album 1100 Bel Air Place was designed to introduce him to English-speaking audiences. Diana Ross, already a music legend after her Motown years and solo success, brought grace, depth, and a soulful energy that beautifully balanced Julio’s warmth.

Their voices blended effortlessly. Hers was refined and clear, his was smooth and intimate. Together they transformed All of You into a sweeping love song that captured the glamour of Hollywood and the sincerity of classic romance.

Behind the Recording

The song was written by Cynthia Weil and Mick Jones, known for their work with Foreigner, and produced by Richard Perry, one of the most celebrated producers of the era. Its sound was lush and cinematic, with an arrangement that framed both voices like a duet from a timeless film.

The music video, filmed in Los Angeles, reflected that same sophistication. Julio appeared in his trademark white suit, while Diana radiated charisma and confidence. The chemistry between them was undeniable, and audiences around the world felt it instantly.

All of You quickly became one of the standout tracks from 1100 Bel Air Place. It climbed the Billboard charts, played on radio stations from Los Angeles to London, and introduced Julio’s voice to millions of new listeners who were hearing him in English for the first time.

A Blend of Styles and Spirits

What made the duet unforgettable was the way their two styles complemented each other. Julio brought European romance and a touch of old-world charm. Diana added soul, sophistication, and emotional power. Together, they created something that felt natural, universal, and intimate all at once.

Their collaboration showed that music doesn’t need translation. The connection between them was clear in every note. It wasn’t just about performance, it was about emotion shared between two artists who knew how to communicate love through music.

Cultural Impact

The success of All of You confirmed Julio Iglesias as an international artist who could cross any cultural or linguistic barrier. It also reminded the world of Diana Ross’s ability to connect across genres with warmth and authenticity.

Their song became a bridge between pop, soul, and romantic balladry. It remains one of the most recognizable duets of the 1980s and continues to appear in romantic playlists and radio programs today.

Why It Endures

Even now, decades later, All of You feels timeless. It is simple yet elegant, polished but deeply human. There are no heavy effects or dramatic tricks, just melody, emotion, and two voices that fit together like a conversation.

When that gentle piano begins and Julio sings the first line, it still feels personal. It’s a reminder of an era when love songs spoke directly to the heart and two singers could make the world stop for four minutes of pure connection.

Listen Again

If you haven’t heard All of You lately, play it tonight. Let it fill the room with warmth and nostalgia. Listen to Julio’s sincerity and Diana’s grace. It’s a duet that still feels as alive as it did forty years ago, a perfect moment when romance met soul.

Sources:

  • 1100 Bel Air Place album credits, CBS Records (1984)

  • Billboard archives, 1984–1985

  • Interviews with Julio Iglesias and Diana Ross during the album’s promotion

Sunday, November 2, 2025

Throwback: The 1100 Bel Air Place "Era" and the World Tour That Changed Everything

 


When you think of Julio Iglesias, you think of timeless songs, elegance, and that unmistakable romantic charm that transcends language. But in 1984, Julio did something that would change the course of his career and redefine Latin crossover success forever.

That year, he released 1100 Bel Air Place, an album that opened doors across the English-speaking world and marked one of the most ambitious and glamorous chapters of his musical journey.


A Hollywood Address, A Global Statement

Named after Julio’s Los Angeles residence, 1100 Bel Air Place symbolized both a literal and figurative address change from Europe and Latin America to the heart of Hollywood. It was his declaration that his music, passion, and voice belonged on the world stage.

The album included duets with some of the biggest names in music at the time:

  • “To All the Girls I’ve Loved Before” with Willie Nelson, a heartfelt anthem that became an instant international hit, reaching the Top 10 in the U.S. and earning both artists a Grammy nomination.

  • “All of You” with Diana Ross, a lush, romantic ballad that perfectly blended Julio’s Latin warmth with Diana’s soul-pop elegance.

With its smooth English-language vocals, lush orchestrations, and sophisticated marketing, 1100 Bel Air Place became a cultural bridge, introducing Julio to millions who had never before heard him sing in their native tongue.


The World Tour That Defined the Era

To promote the album, Julio embarked on the 1984 –1985 World Tour, a global spectacle that spanned 124 shows across Puerto Rico, the United States, Canada, Europe, South Africa, Australia, and Asia.

The tour was more than just a promotional run, it was a movement. Fans filled arenas and theaters not only to hear songs in English, but to experience a man who radiated international magnetism and emotional connection no matter the language.

From glittering stages in Los Angeles and London to packed stadiums in Buenos Aires and Tokyo, Julio’s presence commanded attention. His charm was effortless, his voice rich and expressive, a reminder that romance itself is a universal language.




Why 1100 Bel Air Place Mattered

The impact of 1100 Bel Air Place went far beyond sales (though it sold over three million copies in the U.S. alone). It proved that a Latin artist could not only cross over into the mainstream but dominate it, paving the way for future generations of bilingual stars like Ricky Martin, Shakira, and Enrique Iglesias.

The album also reintroduced Julio as a global citizen, a performer equally at home in Madrid, Miami, or Malibu. He wasn’t just singing for the world anymore; he was singing to it.

As writer Ignacio Peyró later put it, “Julio Iglesias didn’t just sing love songs, he exported romance.”


A Golden Era in Every Sense

This period represents the essence of Julio’s mid-career peak: elegance, confidence, and a sense of timeless sophistication. He graced the covers of People, Time, and Billboard. His music videos played on MTV. His tuxedoed silhouette became a visual shorthand for charm itself.

But perhaps what made this era so powerful wasn’t the fame, it was the feeling. The songs from 1100 Bel Air Place still evoke that sense of cinematic romance, the kind that only Julio could deliver.


Fan Reflection: Do You Remember the Tour?

If you were lucky enough to see Julio live during the 1100 Bel Air Place era, you probably remember the elegance, the tailored suits, the orchestra behind him, and the way he’d close his eyes mid-verse as if the entire world had disappeared.

Even if you weren’t there, you can relive it today:
🎧 Revisit “To All the Girls I’ve Loved Before” and “All of You” on Spotify or YouTube.
📀 Watch vintage concert clips from his 1984–85 tour.
📸 Share your favorite memories, photos, or thoughts in the comments on what does this era mean to you?


For the Love of Julio

For fans and newcomers alike, revisiting 1100 Bel Air Place reminds us of something that’s always been true: Julio Iglesias doesn’t just sing songs, he creates worlds.

His 1984 album wasn’t merely a record; it was a passport. And with each note, Julio invited us to travel with him, to believe that romance could sound like a language all its own.


Sources:

Sunday, October 26, 2025

Julio Iglesias Speaks Out: “Retired? Not at All.”

Julio Iglesias has proven once again that passion doesn’t fade with time. In an exclusive message shared with ¡Hola! magazine (earlier this year,) the legendary Spanish singer addressed recent rumors about his health and retirement — and his words left no room for doubt.

“They’ve killed me a thousand times, they’ve retired me twenty thousand, they’ve made me sick just as many... This is the same old story. People love to talk — and I love that they talk, because it means they still remember me.”

A Chosen Solitude

Julio went on to describe his current lifestyle as peaceful and self-chosen, not isolated, but intentional.

“I have chosen this life. I get along wonderfully with solitude. It’s my companion. But it’s a chosen companion, not an imposed one — one you get used to, and with whom I become happier every day.”

From his home in the Dominican Republic, where he lives with his wife, Miranda, Julio said he’s happy, relaxed, and far from retired.

“Bringing the musicians together, rehearsing, working on songs… honestly, right now I prefer to get in the pool, live a simple, quieter life, in which I’ve learned to coexist with solitude — and we get along wonderfully. We’ve become marvelous traveling companions.”

Still Working, Still Passionate

While he admits he doesn’t have the same physical energy he once did, Julio is quick to clarify that the flame of creativity still burns bright.

“I don’t have the strength I once had, but I still have the passion. And I still have a little vanity — just the right amount,” he said with a laugh.

Far from stepping away, Iglesias revealed he is actively working on a Netflix biographical series about his life — a project that celebrates both his music and his global journey.

“That’s not retiring — that’s continuing to work,” he insisted.

A Life Between Stages and Silence

Julio has long managed his public appearances carefully. Back in 2011, he announced his withdrawal from most public events, saying, “This is the last recognition I will attend. From now on, it’s just going on stage and living a life away from all these acts.”

His last major concerts were in 2019, before the pandemic. Yet his name still fills headlines, often with speculation, something he addressed directly last year:

“I keep reading everywhere that I’m in a wheelchair, that I’ve lost my mind, and that I can’t even remember my own songs. How can people be so malicious?”

The Man Who Made the World Fall in Love

Julio’s enduring legacy continues to inspire. In February, writer Ignacio Peyró released El español que enamoró al mundo (“The Spaniard Who Made the World Fall in Love”), a new biography celebrating the life of a man whose career has spanned more than half a century.

“If Julio Iglesias’s life isn’t fun and entertaining,” Peyró quipped, “then tell me what is.”

The world’s most internationally recognized Spanish singer still lives in what journalist Martín Bianchi once called his own Bermuda Triangle — the magical stretch between Miami, Punta Cana, and the Bahamas.

And somewhere along those warm shores, Julio Iglesias continues to live his life exactly as he chooses — with music, passion, and a touch of mystery.


Sources:

Back to Passion, Back to Julio!

 It’s been a while, life got busy, the world turned upside down, and somewhere along the way this little corner of the internet went quiet. 

But one thing never changed: my love and admiration for Julio Iglesias and his timeless music.

I started this blog years ago to celebrate Julio’s voice, his legacy, and the way his songs connect generations. Now, I’m thrilled to bring it back as refreshed, renewed, and ready to share more stories, performances, memories, and moments that make Julio’s artistry so enduring. 

Bienvenidos de nuevo, amigos — let’s pick up where we left off.

Hope you have all been well and are doing well! 💖

Sunday, September 8, 2019

Julio Iglesias Postpones September Tour Dates Due to Hurricane Dorian

Julio Iglesias has officially postponed his upcoming tour due to the uncertain path of Hurricane Dorian, which is still set to affect a part of the East Coast in the U.S., Billboard has learned. According to a press release, the most important thing for the Spanish artist is his audience’s safety and he’s looking forward to having a great night with his fans as soon as everything goes back to normal.

The dates postponed include September concerts slated for Ft. Myers, Georgia and Boston. New dates will be announced soon. Tickets previously purchased can be used for the new dates.
Over the long Labor Day weekend, Dorian hit the Bahamas as a category 5 hurricane with sustained winds reaching 185 miles per hour and gusts of up to 220 miles per hour. Artists including Pitbull and Marco Antonio Solis also postponed concerts due to the hurricane.

The following Julio Iglesias tour dates have been postponed:

Sept. 14 -- Boston, MA @ Agganis Arena
Sept. 20 -- Ft. Myers, FL @ Hertz Arena
Sept. 22 -- Atlanta, GA @ Infinite Energy Center
Sept. 28 -- Atlantic City, NJ @ Ocean Resort Casino

(Source:  https://www.billboard.com/articles/columns/latin/8529154/julio-iglesias-postpones-tour-dates-hurricane-dorian)

Wednesday, April 10, 2019

NEW US TOUR DATES!

according to julioiglesias.com, the following US tour dates have been posted:

9/14- BOSTON, MA
9/20- FT MYERS, FL
9/22- ATLANTA, GA
9/28- ATLANTIC CITY, NJ

Tickets for Boston go on sale on Friday, April 12th

Monday, February 18, 2019


Julio Iglesias reflects on 50 years of music

Updated
Before Miguel, Ricky Martin, Luis Fonsi or even Selena, the Latin crossover into the mainstream had been paved by Julio Iglesias. Over the course of his career, he’s released 80 albums, garnered Grammy awards and has sold more than 300 million albums. Now back on the road in the United States, he reflects on all that history in his 50th anniversary tour, which heads to Midland on Thursday.
 
Iglesias is also a joker. During the interview he chatted rapidly with an onslaught of punchlines and laughs. That’s quite an ironic impression for a man who’s made a career of being a romantic, sexy crooner. He’s personable with humorous anecdotes and rapid-fire wit. Among topics he discussed was his recent Lifetime Achievement Award from the Recording Academy.


MRT: Congratulations on the award. You join Elvis Presley, Frank Sinatra, Bob Dylan and others on this prestigious recognition. What does it mean to you?

Iglesias: I never expected it this year. It’s such a great award for me. I’ve had a lucky time with my life and singing with Willie Nelson and Diana Ross and the Beach Boys.

MRT: You’re celebrating 50 years, but you were singing well before you debuted in America.

Iglesias: Yes, yes. I had sung all over the world all my life, but I hadn’t sung in America until 1981.

MRT: The lifetime achievement award, this 50th anniversary tour reflects on what you’ve done. What do you work toward now?

Iglesias: I have to say “no” to the things that distract me. I have to say “no” because I can. (laughs) I’m 75 years old and I continue dreaming because “why not?”

MRT: What do you like about your career?

Iglesias: I love that I get to do 160 concerts all over the world. I used to play to 20,000 people and now it’s 2,000 but I love it all. But I do need my time and I need to breathe.

MRT: Your signature is the romance and emotion in your music. Is it a task to relay those feelings each night to your audiences?

Iglesias: When I’m singing. I need to have my passion stronger. I have to keep that moment of passion for the people. I was in China in November, and many times I was concerned to keep myself strong enough onstage for two hours to deliver that passion. At the same time, I need to breathe, I need to take time.

MRT: You almost single-handedly pushed Latin music into mainstream America. Now, music is filled with Latin artists across several genres.

Iglesias: Yes, but music changes a lot. It is like painting. For me, Nat King Cole, Frank Sinatra, Elvis Presley, those melodies are very understandable to me. They keep my brain together. (laughs) I have listened to some of today’s but not too much. I go through it from time to time. People come to see artists differently.

MRT: Where do you call home?

Iglesias: I choose the moon. so I can see everything. But, I actually do not have a place because I’m everywhere right now.

MRT: Your sense of humor is surprising since for so long, you came off as this serious, romantic singer.

Iglesias: (laughs) I have to keep it, because life will be very boring. I love having it.

MRT: How do you describe this show?

Iglesias: I go through my songs that belong to all the generations. I’m not very modest. (laughs) We will go to the past and then back to the future. Maybe I will sing something in French, but I do sing in both Spanish and English. I’ve sung in China, but I will not sing Chinese. But I might sing for you in Chinese if you ask me for a song. (laughs)

Source:  https://www.mrt.com/lifestyles/article/Julio-Iglesias-reflects-on-50-years-of-music-13624999.php

Saturday, February 16, 2019

Julio in Houston 2/15/19







Julio Iglesias kicks off 50th anniversary tour in Sugar Land

Published
Julio Iglesias switched between languages throughout his Friday night set at Smart Financial Centre at Sugar Land, finally admitting that even he wasn't sure where to land.
"I don't know if to speak Spanish or to speak English," he said. "I have an idea — Chinese."


It was a joke, but Iglesias could have followed through. He has recorded in more than a dozen languages, including French, Italian, English, Spanish and, yes, Chinese. His most recent album, 2017's "Dois Corações" is in Portuguese.

Friday's show was the first on a 50th anniversary tour and Iglesias' first of the year. He was joined by six band members and five backup singers inside what he called an "amazing theater, beautiful."

"Come on guys, lets sing together!" he frequently shouted.

The crowd didn't need much prompting. Fans, mostly women, frequently shouted "Lindo!" "Chulo!" "Te queremos!" ("Beautiful!" "Cute!" "We love you!")

Iglesias frequently closes his eyes when he sings. At 75, his voice is still smooth and velvety. Sound problems plagued the nearly two-hour set, from feedback to low volume. Iglesias handled it as best he could, eventually expressing a rightful impatience.

"Que esta pasando con el sonido esta noche?" he asked. "What's happening with the sound tonight?"

The band and singers gave every song a dreamy quality, from "Amor, Amor, Amor" to "Moralito" to "Échame a Mi la Culpa." Iglesias sat in the middle of the stage, frequently stopping to take a drink or entertain the crowd with his cheeky humor.

"Tango is the music that, if you dance, you get pregnant," he said before introducing a pair of dancers. "Even if you are taking the pill."

Iglesias included several pop standards in the set, including "Crazy," "Always on My Mind" and a surprisingly effective cover of "Careless Whisper." He joked that Willie Nelson couldn't be there because he "has a new girlfriend" during "To All the Girls I've Loved Before."

Elvis Presley's "Can't Help Falling in Love" was a sweet duet with the crowd. Amid all the cheers and sighs, the lyrics seemed to become a mantra.

Source: https://www.chron.com/entertainment/tv/article/Julio-Iglesias-kicks-off-50th-anniversary-tour-in-13622046.php#photo-16938207

Friday, February 15, 2019

Houston Chronicle Article

Julio Iglesias on staying inspired at 75. Hint: He swims naked

Updated  

 Julio Iglesias has a few secrets for staying in shape at 75 years old.

“I don’t drink more wine than I have to. I like wine very much. All wines. I do exercise for two, three hours a day. I swim,” he says. “I swim naked, by the way, thank you.”

The Spanish icon says he does it all to be his best self onstage. He kicks off a 50th anniversary tour Friday at Smart Financial Centre at Sugar Land.

Iglesias has sold millions of records and set the stage for a wave of rossover singers, including his son Enrique Iglesias, that continues to this day. He has recorded in 14 languages across more than 80 albums.

His first album, “Yo Canto,” was released in 1969. His most recent was 2017’s “Dois Corações” in Portuguese.

The current tour, he says, is a way “to thank the people, to enjoy the time that still exists in my life.” He also talked about career highs, playing the Astrodome and longtime pal Willie Nelson.

Why was it important for you to commemorate 50 years?
I haven’t played the United States in a long time. I used to play very often. I spent a few years writing a book and doing other things, many things in my life. I decided to go back on the stage because I thought I was dying a little. The Recording Academy gave me the Lifetime Achievement award this year, and I’m excited for that. It’s for the people, from Finland to China, who give me the opportunity to still sing.


What moments stand out when you think back over your career?
Oh, my goodness. It’s always the people. They belong to you, and you belong to them. If you ask me which is the biggest marriage in my life, it’s the people. There is nothing more important in my life than the people. My family leads a beautiful life because of the people. My friends, everybody lives a good life around me because of the people.

What were your goals in the beginning?
I didn’t have any idea. I was just a dreamer. That’s all I had, was a dream. To have a dream and to have it made — that is 50 years of place by place, conversation by conversation, music, attitude. Those things that I sacrificed were nothing in my life. It’s the biggest gift that I’ve ever had in my life.

You became a crossover pioneer, from Spanish to English and other languages, too. Is it rewarding to see so many artists continuing that legacy today?
I’m the papi, that’s correct. I am the one who started to do (different) languages. I played in Chinese, in Japanese, in French, in Italian, in Portuguese, in Spanish, in English, in German. I did that because I was supposed to be much more involved in the culture and the language of the people. It’s not easy to sing in Chinese, by the way. It’s a question of strength. It’s a question of discipline.

Is there a song that you never get tired of performing to this day?
The passion comes onstage, always. You have a terrible headache or whatever happens, and you go onstage, everything disappears. You make love with the public, and you feel like you're still a young guy. The audience makes you younger. Audiences changed my life completely.

Do you have any memories of visiting Houston in the past?
I remember I used to play the Astrodome (in 1986 and ’87 during RodeoHouston). Now I’m not so popular. I’m not so “in.” So I go to a little, beautiful theater, which is perfect for me. The most important thing is to perform so I play in Houston with 2,000 people or 50,000 people. Every time is perfect.

You’re good friends with Texas icon Willie Nelson, who you teamed up with for two duets.

He is the most natural singer I ever met in my life. He reminds me very much of Sinatra. He’s one of the classic artists in life. He’s always being himself. He’s exactly the way people think he is.

Source: https://www.chron.com/entertainment/music/article/Julio-Iglesias-on-staying-inspired-at-75-Hint-13611993.php